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MIFF Blog
Q&A with Have You Seen the Listers? director Eddie Martin
July 31st 2017 |
Eddie Martin, director of the MIFF Premiere Fund-supported film Have You Seen the Listers? speaks about the process of making the film and our changing attitudes to street art.
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A Brilliant Career: Gillian Armstrong’s Filmmaking reaches High Tide
July 31st 2017 |
Rowena Lloyd traces Gillian Armstrong's career, her feminist focus, and her drive to investigate the complexities of the lives of others.
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Twilight to Starlight – The Making of Robert Pattinson’s Career
July 31st 2017 |
Rowena Lloyd takes a look at Robert Pattinson's post-Twilight career with some surprising choices in auteur-driven movies.
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Q&A with Rone director Lester Francois
July 26th 2017 |
The director of the VR experience Rone answers some questions about the artist's transition from street art to fine art and the challenges of making VR...
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Aladdin: An Old New World
July 21st 2017 |
Critics Campus intern Rowena Lloyd takes a look at the legacy of Aladdin, and the vanishing art of Disney 2D animation.
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Q&A with Rabbit's Luke Shanahan and David Ngo
July 20th 2017 |
The director and producer of the MIFF Premiere Fund-supported Rabbit spoke to us about telepathy, twins and tornadoes!
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Aelita, Sci Fi and Altered Realities
July 20th 2017 |
MIFF Marketing Intern Eliza Freeman looks at the huge influence Aelita, Queen of Mars has had on science-fiction filmmaking.
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Yorgos Lanthimos, Nikos Nikolaidis and the tradition of Greek shock cinema
July 18th 2017 |
MIFF Critics Campus participant Kai Perrignon takes a look at the beginnings of the Greek "weird wave" that paved the way for Yorgos Lanthimos
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Beyond Ambition: Nicole Kidman and Jane Campion’s journey toward Top of the Lake: China Girl
July 18th 2017 |
MIFF 2017 Critics Campus participant Blythe Worthy traces the journey made by Nicole Kidman and Jane Campion to bring them both to Top of the Lake: China Girl
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Q&A with Naina Sen
July 14th 2017 |
The director of the MIFF Premiere Fund-supported documentary The Song Keepers speaks about the joy and privilege involved in making her film.
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