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MIFF Blog
Movements in the Desert: an Interview with Celia Rowlson-Hall
August 13th 2016 |
Critics Campus 2016 participant Jessica Ellicott discusses virtuous women, the language of dance, and wanting to be Jesus with Ma director Celia Rowlson-Hall.
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Aquarius, Four Ways
August 12th 2016 |
Critics Campus 2016 participants Aimee Knight, Tanya Farley, Isabella McNeill, and Ella Donald review Kleber Mendonça Filho’s Aquarius.
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Emotional Mapping: an Interview with Kim A Snyder
August 12th 2016 |
Critics Campus 2016 participant Isabella McNeill talks tragedy, trauma, and recovery with Newtown director Kim A Snyder.
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Show You the World: an Interview with Roger Ross Williams
August 11th 2016 |
Critics Campus 2016 participant Aimee Knight chats with Life, Animated director Roger Ross Williams about Disney, autism, and diversity.
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Searching for Monsieur Mayonnaise: a Conversation with Trevor Graham and Philippe Mora
August 10th 2016 |
Critics Campus 2016 participant Andréas Giannopoulos discusses humour, hummus and the Holocaust with Monsieur Mayonnaise filmmakers Trevor Graham and Philippe Mora.
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The Low Down on Down Under: An Interview with Abe Forsythe
August 10th 2016 |
Critics Campus 2016 participant Tanya Farley grills director Abe Forsythe about his comedic skewering of the 2005 Cronulla riots, Down Under.
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Girl Asleep From Stage to Screen: an Interview with Rosemary Myers
August 9th 2016 |
Critics Campus 2016 participant Ella Donald talks to Rosemary Myers about Girl Asleep's journey from the theatre to celluloid.
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Kate Plays Christine, Four Ways
August 8th 2016 |
Critics Campus 2016 participants Jessica Ellicott, Doosie Morris, Andréas Giannopoulos and Dominic Barlow review Robert Greene's Kate Plays Christine.
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A Frame Can Be a Cage: Animals on Screen at MIFF 2016
August 8th 2016 |
Critics Campus 2016 participant Aimee Knight examines the relationship between humans and animals in three MIFF 2016 films.
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Stuck in the Middle with Dudes: Men on the Verge in How Heavy This Hammer and Suntan
August 7th 2016 |
Critics Campus 2016 participant Doosie Morris dissects masculinities in two MIFF 2016 international films.
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