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MIFF Blog
“It’s Really Worth Watching a Whole Range of Cinema”: An Interview with Wendall Thomas
August 16th 2017 |
Delivering a series lectures as part of MIFF’s Industry Public Access Events, developer, writer and lecturer Wendall Thomas speaks to 2017 Critics Campus participant Greer Forrester.
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Not Just a “Woman Director”: An Interview with Gillian Armstrong
August 15th 2017 |
Gillian Armstrong talks Starstruck, High Tide and being a Pioneering Woman in an interview with MIFF2017 Critics Campus participant Faith Everard.
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The Ashes of a Medium: Anocha Suwichakornpong on the Death and Resurrection of Film
August 15th 2017 |
MIFF2017 Critics Campus participant Kai Perrignon speaks to Thai director Anocha Suwichakornpong about her film By the Time it Gets Dark
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Song to Song, Four Ways
August 13th 2017 |
Four participants from the 2017 Critics Campus tackle Terrence Malick’s Song to Song in these short reviews, with a diverse range of responses.
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Higher Learning: The MIFF Kids and MIFF Schools Programs
August 13th 2017 |
2017 Critics Campus participant Greer Forrester talks to programmer Thomas Caldwell about the MIFF Kids and MIFF Schools programs, and the Kids’ Gala screening of Ash Brannon’s Rock Dog.
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Let the Sunshine In, Four Ways
August 12th 2017 |
Let the Sunshine is reviewed by four participants from the 2017 Critics Campus, providing a range of different takes on Claire Denis' latest.
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Going Underground: Celluloid in the Digital Age
August 12th 2017 |
Through Bill Morrison's Dawson City: Frozen Time and Niles Atallah’s Rey, MIFF2017 Critics Campus participant Keva York reflects on the materiality of cinema history.
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Tetsuo: The Iron Man - A Queer Marxist Reading
August 12th 2017 |
A video essay by 2017 Critics Campus participant Amanda Barbour explores the queer Marxist possibilities opened up by Shinya Tsukamoto’s Tetsuo: The Iron Man.
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Pushing Boundaries: The Breakout Films from Pioneering Women
August 11th 2017 |
The Pioneering Women filmmakers of Australian cinema look into aspects of women’s experiences often ignored by their male counterparts, argues MIFF 2017 Critics Campus participant Faith Everard.
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On Dries and Rethinking the Fashion Documentary
August 11th 2017 |
2017 Critics Campus participant Phoebe Chen strips back the glamour in her look at Reiner Holzemer’s Dries and the fashion documentary.
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