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MIFF Blog
Girl Asleep From Stage to Screen: an Interview with Rosemary Myers
August 9th 2016 |
Critics Campus 2016 participant Ella Donald talks to Rosemary Myers about Girl Asleep's journey from the theatre to celluloid.
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Synchronous 360 VR at MIFF
August 9th 2016 |
Synchronous 360 Video Playback will enable audiences with no prior exposure to VR to experience this new technology as seamlessly as possible.
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Is This Real Life?
August 8th 2016 |
South Korean filmmaker Yeon Sang-ho has done something very unusual and potentially unique: he has made a live-action sequel to an animated film.
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Kate Plays Christine, Four Ways
August 8th 2016 |
Critics Campus 2016 participants Jessica Ellicott, Doosie Morris, Andréas Giannopoulos and Dominic Barlow review Robert Greene's Kate Plays Christine.
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MIFF 2016 Talking Pictures | In Conversation with Terence Davies
August 8th 2016 |
Recorded at Federation Hall, VCA on Sunday 31 July.
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A Frame Can Be a Cage: Animals on Screen at MIFF 2016
August 8th 2016 |
Critics Campus 2016 participant Aimee Knight examines the relationship between humans and animals in three MIFF 2016 films.
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Stuck in the Middle with Dudes: Men on the Verge in How Heavy This Hammer and Suntan
August 7th 2016 |
Critics Campus 2016 participant Doosie Morris dissects masculinities in two MIFF 2016 international films.
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Dance on Film: Finding Meaning in Movement
August 7th 2016 |
Critics Campus 2016 participant Ella Donald explores the elegiac and expressive films in the Melbourne International Film Festival’s Dance on Film program.
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Rhymes of Goodbye: Posthumous Films at MIFF
August 6th 2016 |
Inspired by Cosmos and No Home Movie, Critics Campus 2016 participant Andréas Giannopoulos sets off on a journey to uncover the meaning of the final film.
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Cinematic-Nonfiction: Blurring Fact and Fiction To Shed New Light with Kate Plays Christine’s Robert Greene
August 6th 2016 |
Critics Campus 2016 participant Isabella McNeill interviews Robert Greene on truth, fiction and the freedom to fail in his latest film Kate Plays Christine.
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