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MIFF Blog
The Ashes of a Medium: Anocha Suwichakornpong on the Death and Resurrection of Film
August 15th 2017 |
MIFF2017 Critics Campus participant Kai Perrignon speaks to Thai director Anocha Suwichakornpong about her film By the Time it Gets Dark
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Let the Sunshine In, Four Ways
August 12th 2017 |
Let the Sunshine is reviewed by four participants from the 2017 Critics Campus, providing a range of different takes on Claire Denis' latest.
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Pushing Boundaries: The Breakout Films from Pioneering Women
August 11th 2017 |
The Pioneering Women filmmakers of Australian cinema look into aspects of women’s experiences often ignored by their male counterparts, argues MIFF 2017 Critics Campus participant Faith Everard.
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Alive and Radical: The Grey-Haired Girls of Top of the Lake: China Girl
August 9th 2017 |
Jane Campion celebrates the spirit of women in their prime both on screen and in person with Top of the Lake: China Girl, writes 2017 Critics Campus participant Blythe Worthy.
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Q&A with Locker Room Director Greta Nash
August 2nd 2017 |
Rowena Lloyd speaks with Greta Nash, director of the Accelerator short film Locker Room.
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Why Pioneering Women?
August 1st 2017 |
Pioneering Women co-curator Alexandra Heller-Nicholas takes us into the historical movement that created the foundations for many Australian women filmmakers today.
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A Brilliant Career: Gillian Armstrong’s Filmmaking reaches High Tide
July 31st 2017 |
Rowena Lloyd traces Gillian Armstrong's career, her feminist focus, and her drive to investigate the complexities of the lives of others.
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Beyond Ambition: Nicole Kidman and Jane Campion’s journey toward Top of the Lake: China Girl
July 18th 2017 |
MIFF 2017 Critics Campus participant Blythe Worthy traces the journey made by Nicole Kidman and Jane Campion to bring them both to Top of the Lake: China Girl
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Q&A with Naina Sen
July 14th 2017 |
The director of the MIFF Premiere Fund-supported documentary The Song Keepers speaks about the joy and privilege involved in making her film.
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Q&A with Priscilla Cameron
June 27th 2017 |
Priscilla Cameron, director of the MIFF Premiere Fund-supported film The Butterfly Tree, speaks about her process and the impact the film had on her personally.
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